Tag: open access

University of Huddersfield Press launches a new collaboration with Informit.

About Informit
Informit is an open access publishing platform which is mainly used by Australian academics and professionals, but provides access to researchers, practitioners and other users worldwide.Informit provides content from over a 100 specialist databases, covering a wide range of disciplines, such as humanities, business, law, social science, health, engineering and education. As an Australian organisation, Informit holds a collection centred around Australian cultural, social and literary heritage “with a focus on regional perspectives and otherwise hard-to-find research”.

‘We are excited to be hosting 24 important University of Huddersfield Press titles on Informit. These titles are a great addition to our Collections and signify the start of a great relationship.’

Informit

Keep up-to-date with the latest research
On Informit, users can both read publications online or download them for offline access. Furthermore, users can subscribe to newsfeeds to keep up-to-date with the latest publications in their subject area. Informit provides (video) tutorials which aid users in searching Informit, setting up a feed and creating alerts.

University of Huddersfield Press Publications on Informit
The following journals from the University of Huddersfield Press are now available on Informit:

In addition to these journals, the books listed underneath are also freely accessible:

New issue of open access pharmacy journal in partnership with the Academy of Pharmaceutical Sciences

New issue of open access pharmacy journal in partnership with the Academy of Pharmaceutical Sciences

British Journal of Pharmacy (BJPharm) is pleased to partner with the Academy of Pharmaceutical Sciences, Great Britain (APS, GB) in presenting a special issue on the proceedings of the 8th APS International PharmSci 2017 held in Hertfordshire in September 2017.

Showcasing innovative research from APS

We are very excited to showcase this premier pharmaceutical event in an open access format which reiterates the journal ethos of promoting the science and practice of pharmacy to the world enabling a ‘fee-free’ publication for researchers and ‘free-access’ to the readers across the world. The inability to access scientific literature freely can be a major obstacle in the advancement of science, and BJPharm is committed to bridging this gap.

Open access, preservation and citation

The proceedings are published with creative commons attribution which permits anyone to use the material freely without any restriction. All papers have an individual DOI with cross-ref compliance, and are preserved in the portico archive to ensure lifelong availability. The publications are also integrated with powerful search engines like Google Scholar to ensure the visibility and maximise their access to readers internationally. Publication in this format without any fee entails hard work both for the Publisher and the journal’s honorary editorial team but it offers the authors an opportunity to present their work globally without any barriers and ensures that authors do receive an appropriate citation credit for their work.

We hope that our readers will find this special issue informative and those who could not attend the conference earlier in September shall have another opportunity to benefit from the research presented at the event.

We thank you all our partners and contributors for their cooperation and support and shall look forward to their continued support in the future to make this Open Access initiative a great success in promoting the science and practice of pharmacy.

Dr Hamid Merchant

Managing Editor, British Journal of Pharmacy

Publishing open access research in healthcare

Publishing open access research in healthcare

As part of our our #OAWeek series we caught up with the Editor of the British Journal of Pharmacy, Hamid Merchant, to find out why he is so passionate about open access in healthcare research and what some of the challenges and achievements have been for the journal in its first year.

Why is open access important in healthcare?

Open access is the future of research! Think about a fantastic piece of research that cannot be accessed and read freely across the globe, how this could benefit society?

The more we would like patients and carers to get involved in their treatment, the more access to reliable scientific resources is needed. The inability to access scientific literature freely by the public can be a major obstacle.

Let’s take an example. Malaria is a massive public health issue in African countries, and the top research in Malaria is published in journals which are far beyond the reach of those nations. Open access publishing bridges this gap and allows anyone to access recent advancements in science and literature which are particularly for the benefit to the public health, safety and their well-being.

Bringing accessibility and credibility together

Many open access journals in the field lack credibility and a rigorous peer-reviewed process, and may accept poor quality publications if authors agree to pay their fees. The reputable journals offering optional open access incur a substantial upfront payment to cover their publication costs, and hence many authors cannot afford to publish open access in a journal with a credible reputation. The BJPharm bridged this gap in reputation and quality, yet offered a free service to authors and readers across the globe. The next month also marks the first anniversary of the journal.

The first year of BJPharm

The fee free model for Open Access publishing is not easy. No income from publication means the journal would need an incredible level of voluntary support. The success of the BJPharm lies behind the honorary team of editors, peer reviewers, and the University Press. The journal would not have been possible without invaluable contribution from the whole team.

BJPharm has successfully published two issues over the past year. We have been proud to maintain the integrity of the quality peer review process BJPharm and have attracted good quality submissions across the globe over the past year.  The journal has also teamed up with the Academy of Pharmaceutical Sciences, Great Britain to publish the proceedings of the 8th International PharmSci meeting held in September 2017 at Hertfordshire in a special issue. For the first time, this will enable a fee-free access to the research presented in this prestigious meeting of pharmaceutical scientists in the UK.

You can access all of the BJPharm content online via the University Press

Ways in which a writer approaches poetry

Ways in which a writer approaches poetry

Ford Dagenham is one our authors published in I You He She It – a collection of short stories and poems developed out of the Grist project. As part of #OAWeek we asked him to discuss his writing processes and and how he keeps himself on track when writing poetry.

You can read the Grist collection online, open access here.

You can read more around the author on their blog.

The Poetry Process

(readings prose submitting etc are another story)

I write poetry waking up. Not weekends. Days off are ok.

After a day or two off I get the itch. Without being dramatic, who I am unravels.

I post the mornings poem on the blog then I pat myself on the back.

I keep notebooks for poetry and story ideas. I use Notes in my iphone. People assume I am another addict to the glass. I enjoy this misconception.

I look OUT and IN.

I wrote rules down. Its like a blueprint, a distilled list of elements.

I often ignore it.

If I write something that feels dead, it probably is. Its unlikely to merit a funeral.

I resuscitate dead work. Halve its word count. Then its bones show. Then I add flesh and hats.

The delete key is liberation. Often a way out of the swamp.

I repurpose bad work. A bad line ON PURPOSE is ok, even funny.

I delight in accidental rhymes.

Rhyming on purpose is a forced endeavour, lending an expectation that can destroy natural flow.

I find a neighbours minutiae a gift on dead-end mornings.

I stop and start something new. Freshness is spring air and old work can improve like ignored wine.

Distractions can be material. Also they are distractions and inevitable.

Better to not read others work at all, than read it with a mental red pen.

Beware the vacuum, tho it can be informative, like a mirror.

If I write just bare branches, then I add flowers and leaves.

Sometimes a poem is done before you are. Notice this.

I try to be universal and personal. Brand names, song lyrics, ad tags are reality.

I sometimes try for a new language, which sounds poncy.

I enjoy a good typo.

I use no punctuation. When I do use punctuation, its either like a day at the seaside or a horrible school trip.

Writing is a state born of continued trying.

Writing is HEALTHY. That tortured genius lark, I don’t buy it.

My blog says ‘a poem or pic a day until I die or don’t’. This gives me discipline and flexibility.

My blog is the one most important thing that keeps me writing.

I write for me and my dozen regular readers and occasional zines. This is enough.

Moving water is good for inspiration. Like fire. Constant motion. The bath counts and washing the dishes.

Rejection letters/emails are difficult for editors to write. Have empathy. I thank them for a good rejection. I been read. Good.

Rape yourself with kindness.

I dig deep. I skim light.

If I go stale, its often because the music has stopped.

Read poetry. Lots is just guff. Read anyway. Broadly. Dart and prod. Reading poetry on the toilet one morning (counts as running water) I wrote six poems none of which was shit.

I try to be aware of my thoughts. They are journeys.

Songs stuck in my head get new words for the melody.

If I borrow or steal, I credit it in the poem or in the title.

I try not to judge. If I judge I make it clear I’m judging. Then I judge myself.

Have an opinion. Don’t be blind to other opinions.

I have realised I am writing this in the voice of Alan Partridge.

Beware of voices in your head. Or be aware of voices in your head. They are not all for you.

I think in my gut. Head-space is chaotic, don’t spend all day there.

Rarely am I writing the worlds most important poem. But I try to.

There WAS a thousand excuses to not sit down and tap anything out.

There IS a thousand reasons TO sit down and tap something out.

I try not to write about writing. Sometimes I of course do.

I attempt authority. Probably it is fake. We are not all Moses. Its important to believe what you write. Or how will the reader? Don’t be Dan Brown.

I don’t worry about titles. I make it up at the last minute. They can be changed.

If you have a good line that won’t fit, there’s your title.

Use the first line as the title, then the reader hits the ground running.

No title is fine.

A number as a title hints at a secret order.

A title of a COLLECTION is more important. Be understated. The work will fly higher.

Imbibe what you need to. But its YOU that writes, not blended chemicals.

Today I am a sober poet. No one has ever done a harder thing.

I keep calm. Too angry is fine. I wrote one of my best poems when angry with the council housing office.

I read Ferlinghetti’s 2001 inaugural address.