Category: Open Access

Fields: journal of Huddersfield student research is now indexed in the Directory of Open Access Journals

Fields: journal of Huddersfield student research is now indexed in the Directory of Open Access Journals

We are very excited to announce that, following the successful submission of 4 journals to the Directory of Open Access Journals (DOAJ) earlier this year, we have now had the Fields journal accepted too, bringing our total to 5 journals indexed in DOAJ!

We are very proud of this, showing that Fields: journal of Huddersfield student research publishes high quality research using a professional and transparent editorial review process.

We would like to say a big thank you to the DOAJ team for being helpful and supportive throughout the process, and we are very happy to see these high quality, open access journals, indexed and discoverable on the DOAJ platform.

 

Fields
Journal of Huddersfield Student Research
ISSN: 2057-0163 (Online)
https://www.fieldsjournal.org.uk/
Peer review
Subject: General Works
Date added to DOAJ: 15 Oct 2019
Record Last Updated: 15 Oct 2019
CC BY
Tick icon: journal was accepted after March 2014​​
Journal of Creative Music Systems
ISSN: 2399-7656 (Online)
https://www.jcms.org.uk/
Double blind peer review
Subject: Music and books on Music: Music | Science: Mathematics: Instruments and machines: Electronic computers. Computer science: Computer software
Date added to DOAJ: 30 May 2019
Record Last Updated: 30 May 2019
CC BY-NC-ND
Tick icon: journal was accepted after March 2014​​
Teaching in Lifelong Learning: A Journal to Inform and Improve Practice
ISSN: 2040-0993 (Print); 2049-4181 (Online)
https://www.teachinginlifelonglearning.org.uk
Double blind peer review
Subject: Education: Special aspects of education
Date added to DOAJ: 24 Nov 2014
Record Last Updated: 24 Jul 2019
CC BY-NC-ND
Tick icon: journal was accepted after March 2014​​
Journal of Performance Magic
ISSN: 2051-6037 (Online)
http://eprints.hud.ac.uk/journal/jpm/
Peer review
Subject: Language and Literature: Literature (General): The performing arts. Show business
Date added to DOAJ: 13 May 2015
CC BY
Tick icon: journal was accepted after March 2014​​
Crime, Security and Society
ISSN: 2398-130X (Online)
https://www.crimesecurityandsociety.org.uk/
Double blind peer review
Subject: Social Sciences: Social pathology. Social and public welfare. Criminology
Date added to DOAJ: 13 Aug 2019
Record Last Updated: 13 Aug 2019
CC BY
Tick icon: journal was accepted after March 2014
Brand new edition of Anthropocosmic Theatre published in print and open access

Brand new edition of Anthropocosmic Theatre published in print and open access

It has been a long wait for the beautiful new edition of Anthropocosmic Theatre. First published in 1996, this 2nd edition is updated, with new chapters and translated content.

Available in a beautiful printed copy, or as an open access download, we are excited to announce the launch of this stunning creative and collaborative work.

Order your print copy

Download an open access copy

We caught up with Deborah Middleton, one of the editors and contributors for the book, to find out what makes this new edition so significant.

How to sum up more than forty-five years of daring adventure in the fields of theatre research and creativity? That was the challenge that faced me as I set about editing a new expanded edition of Anthropocosmic Theatre by the Mexican director, Nicolás Núñez.  The original version of the book, which I had edited way back in 1996 (my first ever foray into academic publishing) reported on Núñez’s development of an approach to theatre that emphasises its ritual and sacred orgins. Núñez and his collaborators had undertaken an extraordinary journey encompassing contact with a wide range of theatre and ritual sources: Tibetan Buddhists in exile in India; Peruvian and Huichol shamans; NASA scientists in Arizona; Strasberg, the father of Method acting, in New York, and Grotowski, the ‘holy theatre’ visionary, in the forests of Poland and the mountains of Mexico.  Now, 20-plus years on, my colleague, Franc Chamberlain, had come up with the idea that we should create a new edition of the book with a second section covering the period from 1996 to 2018. And those years were just as full and intrepid as the early ones had been.

The challenge of the project was in deciding how best to represent the body of work that had flowered from those beginnings – which projects to favour, which inquiries to explore, which adventures to relate.  Inevitably, the book can only be a partial glimpse into a lifelong dedication that has generated a very unique view, and a highly developed practice that has touched multiple lives.  In the end, I chose to focus primarily on ‘the dynamics’ – Núñez’s intensive performer training processes which represent an important contribution to understandings of meditation and energy in actor-training. Shorter case-studies and commentaries give the reader a sense of just a few of the participatory theatre productions. New, and newly translated, writings by Núñez are combined with chapters by other writers, and – in keeping with the original book – a series of short personal reflections by participants.   Once again, we glimpse the extraordinary projects through which Núñez has researched and shared his vision: an overnight performance on each full moon of the year 2000 at the pyramids of Teotihuacan; a 40-day pilgrimage on the pre-Christian route that is now the Camino de Santiago de Compostela;  a creative residency in an indigenous jungle village on the edges of the Darién rainforest in Panama.

This is in part an academic book, but it is also very much a manifesto and a series of testimonials: a manifesto for a theatre of depth, integrity, and sacrality; testimonials to powerful, even life-changing, experiences in the training studio, and in the forests and other spaces where Núnez’s theatre productions take place.  It is a book which is designed to spark the imagination, to evoke an aspirational sense of the power of theatre, and to remind us all of the great cosmic context within which our lives and our art-forms unfold.

We are looking forward to an exciting launch event for the book, to be held at the University of Huddersfield on 30th October.

Order your print copy

Download an open access copy

New journals accepted into the Directory of Open Access Journals (DOAJ)

New journals accepted into the Directory of Open Access Journals (DOAJ)

We are very excited to announce that, after a lot of hard work at the University of Huddersfield Press offices, and a lot of very helpful guidance, we now have 4 journals accepted into the Directory of Open Access Journals (DOAJ)!

We would like to say a big thank you to the DOAJ team for being helpful and supportive throughout the process, and we are very happy to see these high quality, open access journals, indexed and discoverable on the DOAJ platform.

 Journal of Creative Music Systems Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2399-7656
Date added to DOAJ: 2019-05-30
Home pagehttps://www.jcms.org.uk/
LicenseCC BY-NC-ND
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Music, Computer software
Keywords: music, creative music systems, computational creative systems
Started publishing Open Access content in: 2016
Country: United Kingdom
Language: EN
Submit an update
 Teaching in Lifelong Learning: A Journal to Inform and Improve Practice Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2040-0993, 2049-4181
Date added to DOAJ: 2014-11-24
Home pagehttps://www.teachinginlifelonglearning.org.uk
LicenseCC BY-NC-ND
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Special aspects of education
Keywords: education, lifelong learning, higher education
Started publishing Open Access content in: 2011
Country: United Kingdom
Language: EN
Submit an update
 Journal of Performance Magic Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2051-6037
Date added to DOAJ: 2015-05-13
Home pagehttp://eprints.hud.ac.uk/journal/jpm/
LicenseCC BY
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Eprints
Classification: The performing arts. Show business
Keywords: performing arts, magic
Started publishing Open Access content in: 2013
Country: United Kingdom
Language: EN
Submit an update
 Crime, Security and Society Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2398-130X
Date added to DOAJ: 2019-08-13
Home pagehttps://www.crimesecurityandsociety.org.uk/
LicenseCC BY
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Social pathology. Social and public welfare. Criminology
Keywords: crime, security, society, criminal investigation, forensic sciences
Started publishing Open Access content in: 2018
Country: United Kingdom
Language: EN
Submit an update
What role does ambient music have in society and in musical culture? A new book explores how the genre has developed over the last 40 years

What role does ambient music have in society and in musical culture? A new book explores how the genre has developed over the last 40 years

Today sees the release of a brand new book looking at how the genre of ambient music has developed over the last 40 years.

Music Beyond Airports: Appraising Ambient Music

Contributions by: Monty Adkins, Axel Berndt, Lisa Colton, Simon Cummings, Ambrose Field, Ulf Holbrook, Justin Morey, Richard Talbot, David Toop

ISBN10-13 eBook: 1862181616 Print: 9781862181618

Buy a print copy  Download the open access version

This collection of essays has been assembled and developed from papers given at the Ambient@40 International Conference held in February 2018 at the University of Huddersfield. The original premise of the conference was not merely to celebrate Eno’s work and the landmark release of Music for Airports in 1978, but to consider the development of the genre, how it has permeated our wider musical culture, and what the role of such music is today given the societal changes that have occurred since the release of that album.

In the context of the conference, ambient was considered from the perspectives of aesthetic, influence, appropriation, process, strategy and activity. A detailed consideration of each of these topics could fill many volumes. With that in mind, this book does not seek to provide an in-depth analysis of each of these topics or a comprehensive history of the last 40 years of ambient music. Rather it provides a series of provocations, observations and reflections that each open up seams for further discussion. As such, this book should be read as a starting point for future research, one that seeks to critically interrogate the very meaning of ‘ambient’, how it creates its effect, and how the genre can remain vital and relevant in twenty-first century music-making.

Chapter list

INTRODUCTION

CHAPTER 1 – David Toop

How Much World Do You Want? Ambient Listening And Its Questions

CHAPTER 2 – Ambrose Field

Space In The Ambience: Is Ambient Music Socially Relevant?

CHAPTER 3 – Ulf Holbrook

A Question Of Background: Sites Of Listening

CHAPTER 4 – Richard Talbot

Three Manifestations Of Spatiality In Ambient Music

CHAPTER 5 – Simon Cummings

The Steady State Theory: Recalibrating The Quiddity Of Ambient Music

CHAPTER 6 – Monty Adkins

Fragility, Noise, And Atmosphere In Ambient Music

CHAPTER 7 – Lisa Colton

Channelling The Ecstasy Of Hildegard Von Bingen: “O Euchari” Remixed

CHAPTER 8 – Justin Morey

Ambient House: “Little Fluffy Clouds” And The Sampler As Time Machine

CHAPTER 9 – Axel Berndt

Adaptive Game Scoring With Ambient Music

Buy a print copy  Download the open access version

Fields journal: opportunities for Huddersfield students to get published

Fields journal: opportunities for Huddersfield students to get published

Are you an undergraduate student who is interested in submitting your work to a professional research journal? Fields: journal of Huddersfield student research is a yearly publication, which showcases outstanding research from all seven schools within the university. Submissions can be in the form of a journal article or even a collection of poetry, music scores, photographs or a case study. To take part, get in touch with your dissertation/project tutor, or visit the Fields website to contact a member of the editorial team to see how you could be published in this year’s edition.

Benefits of getting published:

  • Raise the profile of your work and get interest and feedback from other academics and professionals.
  • Gain experience of the publishing process and a professional publication to enhance your CV.
  • Benefit from the support of a professional team through a writing retreat and drop in advice session.
  • Receive a £400 bursary upon submission of your final article.

How to get involved

Once you have contacted a member of our editorial team, or your tutor, they will put you in touch with the publishing team to find out about the submission, review and publishing process.

Publishing in Fields is a fantastic opportunity to take your studies and degree to the next level, the Fields journal is an accredited, well-respected publication, that encourages its authors to aspire to more –check out our blog posts from previous Fields authors to find out what they thought of the opportunity.

 

 

 

New issue of the Journal of Performance and Mindfulness

New issue of the Journal of Performance and Mindfulness

The new issue of our popular journal Performance and Mindfulness has arrived! The new issue focuses on the importance of spirituality within dramatic performance and asks for its readers to re-think individual meditation. It considers how meditation and Buddhist practices are important in the execution of the dramatic arts.

This issue is a fantastic read for those who are keen performers interested in physicality and mindfulness, but it may also spark interest in those who are keen to broaden their horizons within their own perspectives of spirituality. The articles cover all corners of performance art, including;

Performance and Mindfulness includes original work from researchers at the University of Huddersfield, but also from academics across the globe. Read on to discover a wide range of perspectives on what spirituality within performance means to the individual, and how it manifests and expresses itself within other cultures and the independent performer.

Volume 2 Issue 1 of Perfomance and Mindfulness

New Editor for Crime, Security and Society

New Editor for Crime, Security and Society

Dr Anna Williams has taken over as the new Editor of Crime, Security and Society. Their latest issue was published in December 2018.

I was delighted to have taken over the Editorship of the Crime, Security and Society journal from Dr Jason Roach earlier this year.

I am currently Principal Enterprise Fellow (equivalent to Reader) in Forensic Anthropology and Deputy Director of the Secure Societies Institute at the University of Huddersfield. In both of these roles, I am passionate about furthering multi-disciplinary research into crime prevention, detection and analysis, so that criminals can be brought to justice quickly and correctly.

My background is in Archaeology and Anthropology (MA, Oxford, 1998), Forensic Anthropology (MSc, Bradford, 1999) and my PhD (Sheffield, 2005) was in estimating the trauma-death interval of bone fractures using immunohistochemical and histological techniques. This had particular application to the diagnosis of child abuse, when the ‘age’ of the fracture can be compared to the care-givers’ testimony. I worked at Cranfield University as a post-doctoral researcher (2004-6) and then as a Lecturer in Forensic Anthropology (2006-13). I joined the University of Huddersfield in 2013 as a Senior Lecturer and was promoted to Principal Enterprise Fellow in 2015. I currently run the MSc in Forensic Anthropology and am Module Leader for the BSc and MSci Forensic and Analytical Science courses.

My specialism is in decomposition and taphonomy research – I do empirical research to determine the effect of certain conditions on decomposition rate for more accurate post-mortem interval estimation. I am currently investigating the possibility of creating the first Human Taphonomy Facility in the UK, a safe, outdoor laboratory where rigorous, scientifically and ethically sound empirical research can be carried out on donated human cadavers to understand decomposition in UK climates, conditions and soils. I am also very interested in mass disaster management, and run the Forensic Aspects of Disaster module on the MSc Risk, Disaster and Emergency Management. As an anthropologist, I tend to take a holistic approach to research and analysis, and I am acutely aware of the value of looking at problems from different perspectives.

I am excited about the opportunities for cross-pollination and collaboration that the Crime, Security and Society journal will provide. The journal is meant as a forum to bring together academics and practitioners (for example: police, law enforcers, crime analysts, policy makers, security personnel) to share their current findings and experiences and ideas. Challenges aired and shared can be tackled. Cutting edge research disseminated through the journal could put into practice for everyday crime investigation. The Editorial Board and I have big ideas for the future of the Crime, Security and Society journal, and want it to be an engaging, motivating space. We welcome contributions about current news items, such as responses to newspaper or online articles; profiles of professionals in related fields; reviews of books or articles in other journals; and commentaries.

Please contact me if you would like to contribute anything relevant.

Find out more about Crime, Security and Society