Author: hudunipress

Fields: journal of Huddersfield student research is now indexed in the Directory of Open Access Journals

Fields: journal of Huddersfield student research is now indexed in the Directory of Open Access Journals

We are very excited to announce that, following the successful submission of 4 journals to the Directory of Open Access Journals (DOAJ) earlier this year, we have now had the Fields journal accepted too, bringing our total to 5 journals indexed in DOAJ!

We are very proud of this, showing that Fields: journal of Huddersfield student research publishes high quality research using a professional and transparent editorial review process.

We would like to say a big thank you to the DOAJ team for being helpful and supportive throughout the process, and we are very happy to see these high quality, open access journals, indexed and discoverable on the DOAJ platform.

 

Fields
Journal of Huddersfield Student Research
ISSN: 2057-0163 (Online)
https://www.fieldsjournal.org.uk/
Peer review
Subject: General Works
Date added to DOAJ: 15 Oct 2019
Record Last Updated: 15 Oct 2019
CC BY
Tick icon: journal was accepted after March 2014​​
Journal of Creative Music Systems
ISSN: 2399-7656 (Online)
https://www.jcms.org.uk/
Double blind peer review
Subject: Music and books on Music: Music | Science: Mathematics: Instruments and machines: Electronic computers. Computer science: Computer software
Date added to DOAJ: 30 May 2019
Record Last Updated: 30 May 2019
CC BY-NC-ND
Tick icon: journal was accepted after March 2014​​
Teaching in Lifelong Learning: A Journal to Inform and Improve Practice
ISSN: 2040-0993 (Print); 2049-4181 (Online)
https://www.teachinginlifelonglearning.org.uk
Double blind peer review
Subject: Education: Special aspects of education
Date added to DOAJ: 24 Nov 2014
Record Last Updated: 24 Jul 2019
CC BY-NC-ND
Tick icon: journal was accepted after March 2014​​
Journal of Performance Magic
ISSN: 2051-6037 (Online)
http://eprints.hud.ac.uk/journal/jpm/
Peer review
Subject: Language and Literature: Literature (General): The performing arts. Show business
Date added to DOAJ: 13 May 2015
CC BY
Tick icon: journal was accepted after March 2014​​
Crime, Security and Society
ISSN: 2398-130X (Online)
https://www.crimesecurityandsociety.org.uk/
Double blind peer review
Subject: Social Sciences: Social pathology. Social and public welfare. Criminology
Date added to DOAJ: 13 Aug 2019
Record Last Updated: 13 Aug 2019
CC BY
Tick icon: journal was accepted after March 2014
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Family History Month

October is Family History Month, and here at the University of Huddersfield Press we are proud to be part of the thriving local history scene in Huddersfield. We have a great collection of history-based research for you to indulge in, and to perhaps learn something new this Family History Month.

rollMargaret Stansfield’s ‘Huddersfield’s Roll of Honour 1914-1922’, serves as a detailed account of 3,439 service personnel from Huddersfield who lost their lives during the First World War. This touching account remembers those who gave their lives for our country, and honours and represents Stansfield’s lifetime work, who sadly passed away in 2012. Who knows, you may discover a name you recognise amongst the lists of honoured soldiers. You can browse the book online or order a printed copy.

The Making of a University by John O’Connell introduces us makingto the development records of the institution that is now The University of Huddersfield. From the early nineteenth century, where it began as a place of learning to promote the education of the working classes, to becoming a mechanics institution, a female educational institute, and a polytechnic, before, finally, becoming the institution we know today. The late John O’Connell’s original research now resides at the University archives, but you can purchase a print copy of the book for yourself.

slavery.jpgJohn Hargreaves and Hilary Haigh’s Slavery in Yorkshire introduces us to the darker side of our local history. This book explores the many ways in which Richard Oastler set about campaigning and aiding the abolishment of child labour in the Industrial Revolution. This fascinating book opens the readers eyes to the real attitudes towards child labour, and the roles the press and the church played in outlawing the enforcement of child labour. You can order your print copy of the book online.beerhouses

Beerhouses, Brothels and Bobbies explores policing methods in Huddersfield in the mid-nineteenth century with author, David Taylor, evaluating the issues facing the local area in a hot bed of the West Riding textile production era. This book is available for free via our website or you can purchase a print copy for your bookshelf.

Visit our website to browse our entire collection of books and journals.

And don’t forget to follow us on Twitter, like us on Facebook and keep checking out our blog to keep up to date with the latest news from us.   

Brand new edition of Anthropocosmic Theatre published in print and open access

Brand new edition of Anthropocosmic Theatre published in print and open access

It has been a long wait for the beautiful new edition of Anthropocosmic Theatre. First published in 1996, this 2nd edition is updated, with new chapters and translated content.

Available in a beautiful printed copy, or as an open access download, we are excited to announce the launch of this stunning creative and collaborative work.

Order your print copy

Download an open access copy

We caught up with Deborah Middleton, one of the editors and contributors for the book, to find out what makes this new edition so significant.

How to sum up more than forty-five years of daring adventure in the fields of theatre research and creativity? That was the challenge that faced me as I set about editing a new expanded edition of Anthropocosmic Theatre by the Mexican director, Nicolás Núñez.  The original version of the book, which I had edited way back in 1996 (my first ever foray into academic publishing) reported on Núñez’s development of an approach to theatre that emphasises its ritual and sacred orgins. Núñez and his collaborators had undertaken an extraordinary journey encompassing contact with a wide range of theatre and ritual sources: Tibetan Buddhists in exile in India; Peruvian and Huichol shamans; NASA scientists in Arizona; Strasberg, the father of Method acting, in New York, and Grotowski, the ‘holy theatre’ visionary, in the forests of Poland and the mountains of Mexico.  Now, 20-plus years on, my colleague, Franc Chamberlain, had come up with the idea that we should create a new edition of the book with a second section covering the period from 1996 to 2018. And those years were just as full and intrepid as the early ones had been.

The challenge of the project was in deciding how best to represent the body of work that had flowered from those beginnings – which projects to favour, which inquiries to explore, which adventures to relate.  Inevitably, the book can only be a partial glimpse into a lifelong dedication that has generated a very unique view, and a highly developed practice that has touched multiple lives.  In the end, I chose to focus primarily on ‘the dynamics’ – Núñez’s intensive performer training processes which represent an important contribution to understandings of meditation and energy in actor-training. Shorter case-studies and commentaries give the reader a sense of just a few of the participatory theatre productions. New, and newly translated, writings by Núñez are combined with chapters by other writers, and – in keeping with the original book – a series of short personal reflections by participants.   Once again, we glimpse the extraordinary projects through which Núñez has researched and shared his vision: an overnight performance on each full moon of the year 2000 at the pyramids of Teotihuacan; a 40-day pilgrimage on the pre-Christian route that is now the Camino de Santiago de Compostela;  a creative residency in an indigenous jungle village on the edges of the Darién rainforest in Panama.

This is in part an academic book, but it is also very much a manifesto and a series of testimonials: a manifesto for a theatre of depth, integrity, and sacrality; testimonials to powerful, even life-changing, experiences in the training studio, and in the forests and other spaces where Núnez’s theatre productions take place.  It is a book which is designed to spark the imagination, to evoke an aspirational sense of the power of theatre, and to remind us all of the great cosmic context within which our lives and our art-forms unfold.

We are looking forward to an exciting launch event for the book, to be held at the University of Huddersfield on 30th October.

Order your print copy

Download an open access copy

New journals accepted into the Directory of Open Access Journals (DOAJ)

New journals accepted into the Directory of Open Access Journals (DOAJ)

We are very excited to announce that, after a lot of hard work at the University of Huddersfield Press offices, and a lot of very helpful guidance, we now have 4 journals accepted into the Directory of Open Access Journals (DOAJ)!

We would like to say a big thank you to the DOAJ team for being helpful and supportive throughout the process, and we are very happy to see these high quality, open access journals, indexed and discoverable on the DOAJ platform.

 Journal of Creative Music Systems Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2399-7656
Date added to DOAJ: 2019-05-30
Home pagehttps://www.jcms.org.uk/
LicenseCC BY-NC-ND
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Music, Computer software
Keywords: music, creative music systems, computational creative systems
Started publishing Open Access content in: 2016
Country: United Kingdom
Language: EN
Submit an update
 Teaching in Lifelong Learning: A Journal to Inform and Improve Practice Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2040-0993, 2049-4181
Date added to DOAJ: 2014-11-24
Home pagehttps://www.teachinginlifelonglearning.org.uk
LicenseCC BY-NC-ND
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Special aspects of education
Keywords: education, lifelong learning, higher education
Started publishing Open Access content in: 2011
Country: United Kingdom
Language: EN
Submit an update
 Journal of Performance Magic Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2051-6037
Date added to DOAJ: 2015-05-13
Home pagehttp://eprints.hud.ac.uk/journal/jpm/
LicenseCC BY
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Eprints
Classification: The performing arts. Show business
Keywords: performing arts, magic
Started publishing Open Access content in: 2013
Country: United Kingdom
Language: EN
Submit an update
 Crime, Security and Society Tick icon: journal was accepted after March 2014​​
In DOAJ?Yes
ISSN(s): 2398-130X
Date added to DOAJ: 2019-08-13
Home pagehttps://www.crimesecurityandsociety.org.uk/
LicenseCC BY
Publisher: University of Huddersfield Press
Platform, Host, Aggregator: Janeway
Classification: Social pathology. Social and public welfare. Criminology
Keywords: crime, security, society, criminal investigation, forensic sciences
Started publishing Open Access content in: 2018
Country: United Kingdom
Language: EN
Submit an update
The Invisible Woman: How Henrietta Schwann helped shape the history of female working class education

The Invisible Woman: How Henrietta Schwann helped shape the history of female working class education

The old saying, ‘women should be seen, not heard’, seems archaic in today’s society. And yet the silencing of women’s voices and opinions is something we see in today’s world on a regular basis. Decisions made by politicians about women’s rights over their own bodies, and the escalating levels of abuse prominent female figures face online, are both proof that there are still those who work to silence women’s voices. It is important that we learn from the powerful actions of female figures in history, and continue to strive for the rights and recognition of all members of society.

uniA significant figure in the history of women’s rights in Huddersfield was Henrietta Schwann.

Henrietta and her husband, Friederich, eventually became the founders of the educational organisation that now resides as the University of Huddersfield. The Female Educational Institute and The Young Men’s Mental Improvement Society, founded by Friederich, merged in 1841 to form the Huddersfield Technical School and Mechanics Institute.

clipping

Henrietta Schwann is credited as being a vital figurehead in the founding of the school for female education, which provided evening classes to women and girls in the Huddersfield area for over thirty years before the union, and continued to do so under its new name.

Henrietta, her husband and her brother, Samuel recognised the need for affordable female education. For women who grew up in working class areas, such as the industrial heart of 19th-century Huddersfield, these few hours of tutelage per week made the difference between finding employment or staying at home, therefore enabling women take control of their own lives and finances.

schwannHowever, this woman, a figurehead of the promotion of female education into mainstream schooling, remains faceless; with no images of her remaining in existence today. Sadly, we can’t even know if any pictures were taken of her when she was alive, though we know what her husband looks like – his face welcomes you through the doors of the Schwann Building on the University campus. Although the building itself is named after both the Schwanns, it is unfortunate that her husband is all we have to remember Henrietta’s legacy by.

The lack of her portrait serves as a reminder of the tendency to exclude and silence female voices, something which we all have a duty to recognise and fight against.

 

You can check out our book The Making of a University by John O’Connell if you want to learn more about the fascinating foundations of the university.

Be sure to follow us on Twitter and like us on Facebook to keep up-to-date with the latest news and releases!

What role does ambient music have in society and in musical culture? A new book explores how the genre has developed over the last 40 years

What role does ambient music have in society and in musical culture? A new book explores how the genre has developed over the last 40 years

Today sees the release of a brand new book looking at how the genre of ambient music has developed over the last 40 years.

Music Beyond Airports: Appraising Ambient Music

Contributions by: Monty Adkins, Axel Berndt, Lisa Colton, Simon Cummings, Ambrose Field, Ulf Holbrook, Justin Morey, Richard Talbot, David Toop

ISBN10-13 eBook: 1862181616 Print: 9781862181618

Buy a print copy  Download the open access version

This collection of essays has been assembled and developed from papers given at the Ambient@40 International Conference held in February 2018 at the University of Huddersfield. The original premise of the conference was not merely to celebrate Eno’s work and the landmark release of Music for Airports in 1978, but to consider the development of the genre, how it has permeated our wider musical culture, and what the role of such music is today given the societal changes that have occurred since the release of that album.

In the context of the conference, ambient was considered from the perspectives of aesthetic, influence, appropriation, process, strategy and activity. A detailed consideration of each of these topics could fill many volumes. With that in mind, this book does not seek to provide an in-depth analysis of each of these topics or a comprehensive history of the last 40 years of ambient music. Rather it provides a series of provocations, observations and reflections that each open up seams for further discussion. As such, this book should be read as a starting point for future research, one that seeks to critically interrogate the very meaning of ‘ambient’, how it creates its effect, and how the genre can remain vital and relevant in twenty-first century music-making.

Chapter list

INTRODUCTION

CHAPTER 1 – David Toop

How Much World Do You Want? Ambient Listening And Its Questions

CHAPTER 2 – Ambrose Field

Space In The Ambience: Is Ambient Music Socially Relevant?

CHAPTER 3 – Ulf Holbrook

A Question Of Background: Sites Of Listening

CHAPTER 4 – Richard Talbot

Three Manifestations Of Spatiality In Ambient Music

CHAPTER 5 – Simon Cummings

The Steady State Theory: Recalibrating The Quiddity Of Ambient Music

CHAPTER 6 – Monty Adkins

Fragility, Noise, And Atmosphere In Ambient Music

CHAPTER 7 – Lisa Colton

Channelling The Ecstasy Of Hildegard Von Bingen: “O Euchari” Remixed

CHAPTER 8 – Justin Morey

Ambient House: “Little Fluffy Clouds” And The Sampler As Time Machine

CHAPTER 9 – Axel Berndt

Adaptive Game Scoring With Ambient Music

Buy a print copy  Download the open access version

Twenty-First Century ‘Top Girls’ – re-reading a 1982 feminist play in the wake of current affairs

Twenty-First Century ‘Top Girls’ – re-reading a 1982 feminist play in the wake of current affairs

“Women and fiction remain, so far as I am concerned, unsolved problems.”

Virginia Woolf, A Room of One’s Own (1929)

 

Carly Churchill’s Top Girls was first performed in 1982 at the Royal Court theatre in London, directed by Max Stafford Clark. When re-reading Top Girls, now a glowing example of how Churchill’s work remains and continues to epitomise fragments of our own modern society, it would only be fitting that I look back on the first television adaptation of the piece. The one-off special, brings with it today a second-wind of second-wave feminism, which continues to fan the flames of a more contemporary form of female resistance.  If you haven’t seen the play, I highly recommend it to anyone who is interested in the history of feminism and female history.

The 1991 adaptation was aired on BBC Two and sees seven actresses perform sixteen different roles. The decision to intertwine each actress with more than one character is a choice that must be praised on both an artistic and practical level as, in doing so, each character brings a glimmer of the past, rather drags it kicking and screaming, into the present. For example, the ladies around Marlene’s symbolic dinner table (whom she dreams she invites to congratulate herself on her promotion); Isabella Bird, Dull Gret, Lady Nijo and others, outwardly vocalise their upsetting struggles over a white-china dinner and bottles of red wine. table.jpgWhere the chime of polite, ladylike conversation should be, there echoes almost-rhythmic rounds of overlapping dialogue, buried in which are the gruesome tales of the women’s oppression and individual sadness’s. The cacophony of female voices crumples and folds itself into one mass. It is here that Churchill successfully illustrates the mess that is all the instances of past, present and future female oppression merging into one, so jumbled it cannot, nor is it likely that it will be ever, be understood. Therefore, it is ignored, and initiates women into a cycle where they will forever be talked over, and forever only exist as being ‘next in line’, always behind one another, competing to keep their own voice. lady nijo.jpg

At the table, Lady Nijo, the Patient Griselda and Pope Joan all deliver gruelling stories of how they gave up their children in order to adhere to the wishes and standards of other men. It is here we find painful relevance in Churchill’s play, and question the right for women to control their own bodies and how the past now exceedingly echoes into the future.

At the core of this play is the carefully woven theme of subtle sacrifice, and the reason for that sacrifice being the need to belong in order to survive as a woman. As many feminists would when griseldawatching Top Girls, this need to belong to ‘something’, whether that be belonging in society, to a job or even a child, they would recognise that this is not a selfish ‘need’, but more a practicality required of women in order for them to survive within the patriarchy. Pope Joan sacrificed her femininity (and inevitably her life) for her place within the Vatican, Isabella Bird sacrificed children for her adventures and Marlene sacrificed her daughter, Angie, in order to ‘belong’ to a career. She holds and celebrates her superficial and materialistic title close to her chest, out of pure fear that she will lose her importance, and her voice.pope joan.jpg

Although I am re-reading Churchill’s play and reviewing its relevance through my twenty-first century fingertips, it is hard to talk of ‘contemporary feminism’ without acknowledging Simone De Beauvoir who says, ‘it would never occur to a man to write a book on the singular situation of males in humanity’ (De Beauvoir, 1949) – it is laughable to even think that the play Top Men exists in some alternate matriarchal universe. But no, it doesn’t, and I doubt it ever could nor will, as it is the female condition that inspires this drama, these harrowing stories, plays and literature.

Isabella_Bird_Bishop_Manchurian.jpgChurchill devised her play from her own experience as a woman, but mostly through her own shared experience of this ancient struggle of simply being a woman – a struggle that men have never had to endure. It is why we still praise Caryl Churchill for her creative mind, and then quickly and solemnly remind ourselves that the majority of her play isn’t creative fiction at all. The woman whose lives we watch unfurl in front of us, as they pour out their hearts and stomachs onto an imaginary dinner table, or drop their guts onto a very real office floor, are real.

De Beauvoir (1949) writes that people believe ‘woman is losing herself, woman is lost’, dull gret.jpgand Caryl Churchill sees it. She sees it, holds it in her hand and smears the fact across the page. She sees it in Marlene’s desperation, Angie’s impatience and Joyce’s resignation. And real women who belong in history books and religious texts and paintings; because Churchill’s women are your mother, your sister, your teacher, your best friend and yourself. You may not know a Patient Griselda, a Dull Gret or a Lady Nijo, but you will know a Joyce and a Marlene; you’ve read about them, talked to them, known them. You see their hardships bleed through the gaps into our time, you see the remnants of their oppression in your own and the oppression of others around you. In this way, Churchill makes you see, even if you are not a feminist, even if you are not a woman, and don’t profess to understand them, you know and understand these women, and you see their struggle and understand that it never ended.

800px-Top_Girls_(44140682920)Today, feminism seems a very accessible idea, and one that we quite often take for granted. Top Girls reminds us that once, even to attempt to have any agency as a woman was either a very rare luxury or a very dangerous gamble. Caryl Churchill excellently brings this shadowed past to a head within her own present, and ours, as the play effortlessly flows through the years without hesitancy. The play’s ending imitates this, as we cannot even know if the ending indeed classifies as such. There is no resolution, no moral, no outcome, much like life, after the curtains draw and the actors bow, it will go on. Within you, within your head or within our world itself – for, as I said before, Angie, Marlene and Joyce may as well be real people, living real lives. Churchill takes the idea that art imitates life and brings the two within a hair’s breadth from one another, they lay so closely, that not even the stroke of a pen could fit between the fine line she has paved between them.

It is our decision whether art should be created as such, or whether art should be received, not as a social commentary, but as a break from society. Should art be a breath of fresh air or a slap in the face? Should it be neither? For some, Caryl Churchill’s Top Girls has the answer.

 – Rebecca Screeton, Press Assistant

Below, read some of the fascinating articles we’ve published across a range of our journals on feminism and women throughout history:

 The Virgin and the Basilisk: A Study of Medieval Women and their Social Roles

Belief, Influence and Action: Witchcraft in Seventeenth-Century Yorkshire

The Influences of Family, Peers and Media on Young Women’s Romantic Relationship Expectations

Vanishing in Plain Sight

The Rhetorical Goddess: A Feminist Perspective on Women in Magic  

Be sure to follow us on Twitter and like us on Facebook to keep up-to-date with the latest news and releases!

 

 Bibliography

Churchill, Caryl. (1982). Top Girls.

De Beauvoir, Simone. (2010). The Second Sex. New York, Vintage Books.

Woolf, Virginia. (1929). A Room of One’s Own.

Citations (in order)

Protest: https://www.flickr.com/photos/jordanuhl/27328804763

Top Girls dinner table: https://commons.wikimedia.org/wiki/Category:Top_Girls

Lady Nijo: https://www.pinterest.co.uk/pin/434315957788469117/

The Patient Griselda: http://www.gutenberg.org/files/43984/43984-h/43984-h.htm

Isabella Bird: digitalcollections.nypl.org

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